Hay Days: A look ahead
Dan Lewis is at the Hay Festival, where when he began writing the sun was shining... Read more
Bookseller Karyn Dougan, from our Glasgow Argyle Street bookshop, reads a new collection of essays on Scottish independence and wonders exactly what a "yes" vote might mean for her nation's culture...
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The 24th William Hill Sports Book of the Year has been won by Tyler Hamilton & Daniel Coyle for their expose of the corruption at the heart of the Tour de France, The Secret Race.
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Steven Cooper from our events team sets out his reasons why Robert Macfarlane's The Old Ways should be Waterstones Book of the Year...
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Matthew O'Donoghue, from our Publisher Liaison team, tells us why Polpo gets his vote for Waterstones Book of the Year...
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Bea Carvalho from our non-fiction team tells us why she's backing Simon Garfield's On The Map as her choice for Waterstones Book of the Year...
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Hilary Mantel is nominated yet again as Bring up the Bodies heads the list for the Costa Novel Award. Meanwhile, Waterstones Book of the Year nominee Artemis Cooper's Patrick Leigh-Fermor: An Adventure is listed for the Biography Award.
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When Sarah Clarke, our Publisher Manager, was asked to be on the judging panel for this year's Costa Children's Book Award little did she know she was going to lose her desk to the piles of entries which flooded in. Having dug her out, and ahead of the full Costa Book Awards shortlists announcement this evening, she tells us about her experience...
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This year's Specsavers National Book Awards Shortlists have been announced today.
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The winner of this year's Samuel Johnson Prize for Non-Fiction is Into the Silence by Wade Davis (The Bodley Head).
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Steve Coll has won the Financial Times and Goldman Sachs Business Book of the Year Award 2012 for Private Empire: ExxonMobil and American Power.
Co-founder of the award, now in its 24th year, Graham Sharpe described this year's shortlist as “a magnificently varied list of seven readable, remarkable and worthy contenders. The subject matter encompasses the entire emotional gamut from comedy to tragedy.”
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